Tennessee Titans running back, Chris Johnson, has been one of the best, if not the best, running backs in the NFL this season. His 1,091 rushing yards as of November 16 were leading the league. The East Carolina graduate, who is also a fantasy football owner's dream, is one of the fastest players in the league.
On Nov. 1, in a game against the Jacksonville Jaguars, Johnson flashed his speed during a break-away, 52-yard touchdown run. And CBS announcer Gus Johnson (no relation) couldn't resist declaring his thoughts as to why Chris may be so fast.
If you didn't catch it, Gus Johnson complimented Chris Johnson's speed by calling it, "Gettin' away from the cops speed."
Unless you haven't been associated with mainstream popular culture in the past decade, it is a common stereotype that African Americans are involved with criminal actions, and thus, would have to try and run from police. I'm sure Gus, who is also African American, didn't have any malicious intent on making a racial slur against Chris, but obviously a comment like that only perpetuates the stereotype even further.
In a survey conducted by Dennis Rome in 2000, some caucasians were asked to evaluate on a scale of 1-7 how violence prone black people were. In the results, 47 percent chose the violent end of the spectrum. Rome says "The criminal depictions, often provided by mass media and society's subsequent belief that most African American males are criminals, are good examples of the damaging effects of negative stereotypes." I believe the statement about Chris Johnson's speed falls directly into this category.
Gus apologized for the remark, saying it was not racist as every race has to run from the cops. While this is true, I feel that it is a cop-out (no pun intended) to say every race has to run from the cops. That is being ignorant to a very common racial stereotype that African Americans have to deal with, especially since he is African American himself. This is yet another example of how our society has become desensitized to racial remarks such as these.
Citation: Rome, D. Black Demons: The Media's Depiction of the African American Male Criminal Stereotype (2004). Westport, CT. Praeger Publishers.
Showing posts with label racist. Show all posts
Showing posts with label racist. Show all posts
Monday, November 23, 2009
Wednesday, November 11, 2009
Racist Canadian NHL cartoons appalling
I came across these cartoons of former Ottawa Senator and current Philadelphia Flyer goalie, Ray Emery. Needless to say, I was pretty shocked and disgusted that A) these kinds of cartoons are still being made today and B) the editor of a big newspaper allowed these cartoons to be published.
The cartoons, drawn by Tim Dolighan of the, Toronto Sun, depict Emery, one of the 2% of African Americans in the National Hockey League, as a monkey or an ape.
The first, titled 'Playoff Monkey,' was drawn after the Senators lost in the Stanley Cup Finals to the Anaheim Ducks. Emery did not play at the top of his game in the championship series, and of course, Dolighan saw it fit to draw a cartoon of a monkey holding a noose that says 'choke' on it. Wow, very impressive.
The second, titled 'Back to the Future,' was drawn after Emery was released by the Senators a year later after he got into trouble for showing up late to a few practices and became on distraction on and off the ice. I guess the idea behind the cartoon is to unnecessarily poke fun at Emery once he was no longer in Canada?
The final cartoon, titled 'Devolution,' was drawn after Emery signed with the Philadelphia Flyers as a free agent in 2009. I would explain it, but the only explanation of this cartoon can be read in the caption at the top. Unbelievable.
These cartoons from Dolighan seem to detract from research done about editorial cartoons in recent years. In a study about the effects of the cartoon The Boondocks, Nancy Cornwell and Mark Orbe said "Early comic strips tended to present more derogatory images of minorities, but recent strips reflect a more representative and sophisticated look at society and its cultural/political practices." Clearly Dolighan hasn't received that memo.
I'm going to assume the only way Dolighan was able to get away with these blatantly racist cartoons is because the publication is in Canada. If these cartoons were in an American publication I can't imagine the backlash. But I am surprised this was not made a bigger deal by ESPN or any other news outlet.
Citation: Cornwell, N. C. and Orbe, M. P., "Keepin' it Real and/or "Sellin' Out to the Man": African American Responses to Aaron McGruder's The Boondocks (2002). New Yor, New York. Routledge.
The cartoons, drawn by Tim Dolighan of the, Toronto Sun, depict Emery, one of the 2% of African Americans in the National Hockey League, as a monkey or an ape.
The first, titled 'Playoff Monkey,' was drawn after the Senators lost in the Stanley Cup Finals to the Anaheim Ducks. Emery did not play at the top of his game in the championship series, and of course, Dolighan saw it fit to draw a cartoon of a monkey holding a noose that says 'choke' on it. Wow, very impressive.
The second, titled 'Back to the Future,' was drawn after Emery was released by the Senators a year later after he got into trouble for showing up late to a few practices and became on distraction on and off the ice. I guess the idea behind the cartoon is to unnecessarily poke fun at Emery once he was no longer in Canada?
The final cartoon, titled 'Devolution,' was drawn after Emery signed with the Philadelphia Flyers as a free agent in 2009. I would explain it, but the only explanation of this cartoon can be read in the caption at the top. Unbelievable.
These cartoons from Dolighan seem to detract from research done about editorial cartoons in recent years. In a study about the effects of the cartoon The Boondocks, Nancy Cornwell and Mark Orbe said "Early comic strips tended to present more derogatory images of minorities, but recent strips reflect a more representative and sophisticated look at society and its cultural/political practices." Clearly Dolighan hasn't received that memo.
I'm going to assume the only way Dolighan was able to get away with these blatantly racist cartoons is because the publication is in Canada. If these cartoons were in an American publication I can't imagine the backlash. But I am surprised this was not made a bigger deal by ESPN or any other news outlet.
Citation: Cornwell, N. C. and Orbe, M. P., "Keepin' it Real and/or "Sellin' Out to the Man": African American Responses to Aaron McGruder's The Boondocks (2002). New Yor, New York. Routledge.
Monday, October 26, 2009
Racist animated characters keep slipping by.
I'm taking a class called African Americans in the Media this semester and my teacher brought up a topic about racism with made-up characters. Her lecture focused on two characters in this summer's Transformers: Revenge of the Fallen.
The characters, named Skids and Mudflap caused some controversy when many believe their characters to be racial caricatures of African Americans. According to the Huffington Post, the characters "constantly brawl and bicker in rap-inspired street slang. They're forced to acknowledge that they can't read. One has a gold tooth."
Here are a few clips of the twin robots:
The conversation in class made me think of other characters where I have seen this happen and I instantly thought of Space Jam. For those who have not seen that classic movie starring Michael Jordan, it involves a race of cartoon aliens who try to take over the Looney Tunes for their theme park in outer space. When the Looney Tunes recruit MJ to challenge the aliens in a basketball game, the aliens take the skills of other NBA stars like Charles Barkley and Muggsy Bogues to become better.
When the tiny aliens turn into mammoth monsters, they morph from little pip-squeaks to what in my opinion is another caricature of African Americans. Not only do they talk in "street slang," the caricature is perpetuated even further because they are playing basketball — clearly an African American stereotype.
Here are a few clips of the "Monstars":
I love Space Jam. It is one of my favorite movies from my childhood. But clearly African American caricatures have not changed since the movie came out in 1996. This summer's Transformers sequel made that very clear. My question is why do writers or directors feel the need to make Skids and Mudflap sound like they came from the ghetto? What purpose does that serve for the film? And it is obviously not unintentional. Michael Bay knew what he was doing when he created those characters.
The characters, named Skids and Mudflap caused some controversy when many believe their characters to be racial caricatures of African Americans. According to the Huffington Post, the characters "constantly brawl and bicker in rap-inspired street slang. They're forced to acknowledge that they can't read. One has a gold tooth."
Here are a few clips of the twin robots:
The conversation in class made me think of other characters where I have seen this happen and I instantly thought of Space Jam. For those who have not seen that classic movie starring Michael Jordan, it involves a race of cartoon aliens who try to take over the Looney Tunes for their theme park in outer space. When the Looney Tunes recruit MJ to challenge the aliens in a basketball game, the aliens take the skills of other NBA stars like Charles Barkley and Muggsy Bogues to become better.
When the tiny aliens turn into mammoth monsters, they morph from little pip-squeaks to what in my opinion is another caricature of African Americans. Not only do they talk in "street slang," the caricature is perpetuated even further because they are playing basketball — clearly an African American stereotype.
Here are a few clips of the "Monstars":
I love Space Jam. It is one of my favorite movies from my childhood. But clearly African American caricatures have not changed since the movie came out in 1996. This summer's Transformers sequel made that very clear. My question is why do writers or directors feel the need to make Skids and Mudflap sound like they came from the ghetto? What purpose does that serve for the film? And it is obviously not unintentional. Michael Bay knew what he was doing when he created those characters.
Monday, October 19, 2009
Great story, one little problem
A clip from ESPN's award-winning show Outside the Lines caught my attention on ESPN.com over the weekend. It caught my attention mostly because it is a compelling story, but after a closer look, it contains a slight racist connotation.
The story is a about a senior high school football player from central Mississippi named Kaleb Eulls. On Sept. 1, Eulls perhaps made the biggest tackle he will ever make, but it was not on a football field. Eulls tackled a 14-year-old girl who brought a loaded .38 caliber semi-automatic gun onto Eull's school bus and threatened to kill other students.
After the bus driver pulled over and Eulls -- who has verbally committed to play defensive end at Mississippi State next year -- was able to get some of the other students (including three younger sisters), Eulls saw the girl drop her guard for a split-second and lunged at the adolescent, which caused the gun to fly out of her hand. Eulls grabbed the gun and ran out of the bus, saving 22 lives in the process.
The whole piece is basically a tribute to Eull's heroic efforts, and deservedly so. But there are a few lines from reporter Rachel Nichols in the piece that many might now notice, but it is another blindly racist sentence that is very prevalent in today' sports media.
It starts with the first line in the video — "Here in central Mississippi, they often measure young men like Kaleb Eulls in touchdowns. They measure them in yards, passes and tackles, but last month Eulls changed exactly what it meant to make a play."
This is not something many would notice as racist, but a closer look says otherwise. By saying players like Eulls are only measured by their athletic performance, it furthers the stereotype that African American athletes can only be judged on how well they play a sport.
One of the last lines in the video adds to the first statement, "Scores of local officials have thanked Eulls as well. Older men who used to only know him by his jersey number. Used to only measure him by statistics. Now they measure Kaleb Eulls by the tackle he made far from the football field. By the faces of the children on that bus."
It is nice to show that he is now well known around the community, but he had to save peoples' lives to be known as someone other than the guy who had 200 yards of offense last game.
Would Nichols have worded her introduction any differently if it was a white person who did this? Maybe not. But it was an African American and reporters have to be careful when wording stories to keep any kind of racist connotation out at all times.
It is a great piece and a great story. I am not taking that away from Nichols at all. But little blurbs like that is all it takes to perpetuate racial stereotypes. Many viewers have gotten so used certain stereotypes that a few phrases like the ones in this piece just go right over our heads.
The story is a about a senior high school football player from central Mississippi named Kaleb Eulls. On Sept. 1, Eulls perhaps made the biggest tackle he will ever make, but it was not on a football field. Eulls tackled a 14-year-old girl who brought a loaded .38 caliber semi-automatic gun onto Eull's school bus and threatened to kill other students.
After the bus driver pulled over and Eulls -- who has verbally committed to play defensive end at Mississippi State next year -- was able to get some of the other students (including three younger sisters), Eulls saw the girl drop her guard for a split-second and lunged at the adolescent, which caused the gun to fly out of her hand. Eulls grabbed the gun and ran out of the bus, saving 22 lives in the process.
The whole piece is basically a tribute to Eull's heroic efforts, and deservedly so. But there are a few lines from reporter Rachel Nichols in the piece that many might now notice, but it is another blindly racist sentence that is very prevalent in today' sports media.
It starts with the first line in the video — "Here in central Mississippi, they often measure young men like Kaleb Eulls in touchdowns. They measure them in yards, passes and tackles, but last month Eulls changed exactly what it meant to make a play."
This is not something many would notice as racist, but a closer look says otherwise. By saying players like Eulls are only measured by their athletic performance, it furthers the stereotype that African American athletes can only be judged on how well they play a sport.
One of the last lines in the video adds to the first statement, "Scores of local officials have thanked Eulls as well. Older men who used to only know him by his jersey number. Used to only measure him by statistics. Now they measure Kaleb Eulls by the tackle he made far from the football field. By the faces of the children on that bus."
It is nice to show that he is now well known around the community, but he had to save peoples' lives to be known as someone other than the guy who had 200 yards of offense last game.
Would Nichols have worded her introduction any differently if it was a white person who did this? Maybe not. But it was an African American and reporters have to be careful when wording stories to keep any kind of racist connotation out at all times.
It is a great piece and a great story. I am not taking that away from Nichols at all. But little blurbs like that is all it takes to perpetuate racial stereotypes. Many viewers have gotten so used certain stereotypes that a few phrases like the ones in this piece just go right over our heads.
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